Cinema Read the original on Deadline 2 min read 1

Max Winkler Discusses Transition to TV Directing with Ryan Murphy

Filmmaker Max Winkler has successfully transitioned from the independent cinema scene to directing high-profile television series, collaborating with Ryan Murphy on projects like Monster: Ed Gein and Love Story. Known for his earlier work such as Ceremony and Flower, Winkler now navigates the demands of long-form narrative storytelling. He discusses how he broke into the highly successful 'Murphy-verse' and the intense creative process behind these dramatic productions.

Молодий чоловік у гарнітурі розмовляє на знімальному майданчику, а поруч — постать із потужним духовим інструментом на зеленому тлі.
Молодий чоловік у гарнітурі розмовляє на знімальному майданчику, а поруч — постать із потужним духовим інструментом на зеленому тлі. · Image source: Deadline

Max Winkler has established a significant presence in both independent film festivals and prestige television, moving from short features to directing major series for Netflix and FX/Hulu. According to Deadline, his recent work includes Monster: Ed Gein on Netflix and Love Story, which explores the romance and tragedy of JFK Jr. and Carolyn Bessette.

The Path to the Murphy-Verse

Winkler initially directed episodes of Feud: Capote vs. The Swans before finding a new direction. He was looking to reteam with Charlie Hunnam, who starred in Winkler's feature film Jungleland. Ryan Murphy recognized the duo’s desire for a substantial project and pitched them Monster: Ed Gein during a dinner meeting.

Winkler approaches Ed Gein’s story not just as a crime narrative but as another form of love story—one between "a son and his mother." Hunnam committed fully to method acting, developing a specific warbling accent for the isolated killer character. This role required immense physical dedication; Winkler noted that Hunnam lost approximately 40 pounds during production.

“We have a tremendous amount of trust for each other as two people who don’t trust a lot of people for whatever reason,” says Winkler. “He worked so hard... my job was just to give him the space to figure it out and to protect him.” — Max Winkler

Casting Challenges in High-Profile Dramas

Winkler also detailed his involvement with Love Story, where he stepped in to direct the New York City 1992 set pilot after Ryan Murphy had to depart at the last minute. While Sarah Pidgeon was already cast as Bessette, Winkler participated in the search for JFK Jr., alongside producers Brad Simpson and Nina Jacobson.

Casting JFK Jr. proved challenging because the character required a specific balance of traits. As Winkler explained, the actor needed to be:

  • A movie star whom people are drawn to socially.
  • Approachable, avoiding an overly polished image.
  • Possessing a rugged quality without being too rough around the edges.

Anthony Kelly was ultimately chosen for the role of JFK Jr. Winkler highlighted that Kelly’s authenticity stood out during the casting process. He noted that Kelly was unpretentious and genuine, adding that he traveled with a shaggy service dog named Malcolm.

Winkler continues to expand his directorial scope within this genre, confirming plans for the next iteration of Monster: Lizzie Borden. His shift from indie filmmaking to television directing reflects a growing trend among acclaimed independent creators seeking larger platforms for their narrative visions.

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